The glass-door stop wins Kai over. He praises the room’s appearance and smell, admires the privacy-glass idea, and finds the toilet paper a little rough. This is a second creator’s 2024 perspective on the same park, with the city’s seasonal glass guidance still worth checking before visiting.
A small house-shaped stop to finish the walk. Kai likes NIGO’s design and reports a freshly cleaned smell, but also says he finds gum in a urinal. These are mixed impressions from the 2024 visit, not an assessment of the facility today.
A leafy, low-key pit stop. Kai finds Nishihara’s bathroom clean-looking and straightforward, with the greenery making more of an impression than the fixtures. His October 2024 upload offers a quick interior look, not a promise about today’s conditions.
A sink with a starring role. Kai likes how Nishisando’s handwashing area fits into the architecture, while finding the bathroom fixtures more ordinary. His 2024 tour pairs an enthusiastic design reaction with a practical reminder that a striking exterior is only part of a bathroom visit.
Mushroom-shaped architecture, a less cheerful verdict inside. Kai identifies the Yoyogi-Hachiman stop and reports an unpleasant smell on entering the men’s room. That is his impression from the 2024 upload; odor cannot be verified from images and current conditions are unknown.
Meet the Squid Toilet beside a park known for its octopus playground. ITSUKA JAPAN takes a look inside Fumihiko Maki’s pavilion-like facility and praises its appearance. The playful nickname comes from the official project too.
Concrete outside, practical details inside. ITSUKA JAPAN explores the maze-like arrangement and pauses in the universal toilet. It is a useful interior look at a facility that can seem puzzling from the path.
A bright white pit stop beside the station. ITSUKA JAPAN walks around Kashiwa Sato’s louvered building and points out its pictogram signs. This chapter is useful for recognizing the facility from the street.